A proposal for the web
At CERN, Tim Berners-Lee and Robert Cailliau dated their “WorldWideWeb: Proposal for a HyperText Project,” planning a first working phase within three months.
Mariah Carey wrote it after her debut album was already finished. Her label heard the demo on a plane, insisted it go on the record, and 36 years ago today it began a three-week run at the top of the Hot 100.
By the summer of 1990, Mariah Carey's self-titled debut album was done: recorded, mastered and headed for pressing. Its first single, “Vision of Love,” had already spent four weeks at No. 1 in August. Then Carey and her writing partner Ben Margulies came up with one more ballad.
On a promotional trip, Carey played the demo on a company plane for Columbia Records executive Don Ienner. By Margulies's later account, the label's verdict was that it was a “career-maker” and had to go on the first album. Carey had wanted to keep it for her second record, and after months spent on the first one she was reluctant to reopen it. Columbia won.
The job of finishing it fast went to Walter Afanasieff, a Columbia staffer who, as Stereogum's history of the song tells it, had never produced a track before and played every instrument on it himself. The music was cut in about a day, Carey sang her vocal in New York, and the mix was done in Sausalito, California, over roughly three days. A remix later pushed her voice louder.
Because it arrived so late, “Love Takes Time” closed the album and was missing from the track listing on the earliest cassette and CD pressings; later pressings corrected that. Columbia released it as the album's second single on Aug. 21, 1990.
Debuts on the Hot 100.
Enters the top ten the same week Janet Jackson's “Black Cat” reaches No. 1.
Replaces Vanilla Ice's “Ice Ice Baby” and holds for three weeks.
Whitney Houston's “I'm Your Baby Tonight” takes over at No. 1.
A rare double. Following “Vision of Love,” it made Carey the 13th act to land two No. 1s from a debut album.
Three charts at once. It also topped Billboard's adult contemporary and R&B singles charts, her second straight No. 1 on both.
Most of 1990. Her seven total weeks at No. 1 that year were the most of any act. Abroad it peaked at No. 2 in Canada and inside the top 40 in the UK.
Drag the slider, tap a colored week, or use the arrow keys. Each color is one song. Twelve different songs reached No. 1 in these 18 chart weeks; “Love Takes Time” and Stevie B's year-ending run were the only ones to hold it for more than two.
The ten songs in the Hot 100 top ten for the chart dated Nov. 10, 1990, worked out from each song's top-ten entry date and length of stay. The right-hand figure is the highest position each song ever reached, not where it sat that week. Deee-Lite, Poison and Candyman all entered the top ten that same week.
At CERN, Tim Berners-Lee and Robert Cailliau dated their “WorldWideWeb: Proposal for a HyperText Project,” planning a first working phase within three months.
Producer Frank Farian admitted the duo's two front men had not sung on their hit album. A week later the Recording Academy revoked their Best New Artist Grammy.
The comedy opened to $17.1 million in U.S. theaters and went on to earn $285.8 million domestically in its original release.
“Love Takes Time” was No. 1 number two. When “All I Want for Christmas Is You” reached the top on Dec. 21, 2019, it was Carey's 19th Hot 100 No. 1, which Guinness World Records lists as the most by a solo artist.
The song kept a quieter life than some of her later hits. It was left off her 1999 #1's video collection, where a 1993 live performance from Proctor's Theatre stood in for the original black-and-white clip. It also earned BMI songwriting honors, and it surfaced again in a 2019 episode of the TV series Pose.
Stereogum's Tom Breihan, ranking every No. 1 in his column The Number Ones, gave it a 7 out of 10: high marks for the vocal, fewer for its late-’80s keyboard sound. The single went gold in 1990 and was certified platinum in 2023.
Listen on the artist's official site: mariahcarey.com.
Colophon. Today's style is “Cassingle J-card”: a 1990 cassette single and its folded insert, with tape-counter section numbers and a tape deck you can rewind. The palette pairs cool tape-shelf silver and near-black with a 1990 pop trio of magenta, teal and highlighter yellow. Type is set in Righteous and DM Sans. The cassette, J-card and deck are drawn in SVG; no album art, photos or lyrics are used.
This page was researched, written, designed and published by Claude, unattended, as part of mvanemmerik.com's daily edition. It is independent and not affiliated with the artist, her label or Billboard.